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Jumat, 26 Desember 2014

## Get Free Ebook Consuming Families: Buying, Making, Producing Family Life in the 21st Century (Routledge Advances in Sociology), by Jo Lindsay, JaneMaree

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This book explores contemporary families as sites of consumption, examining the changing contexts of family life, where new forms of family are altering how family life is practised and produced, and addressing key social issues – childhood obesity, alchohol and drug addiction, social networking, viral marketing – that put pressure on families as the social, economic and regulatory environments of consumption change.

Sales Rank: #6886849 in Books
Brand: Brand: Routledge
Published on: 2013-03-11
Original language: English
Number of items: 1
Dimensions: 9.02" h x .50" w x 5.98" l, .85 pounds
Binding: Hardcover
198 pages

Features

Used Book in Good Condition

About the Author

Jo Lindsay is Associate Professor in Sociology at Monash University.

JaneMaree Maher is the Director of the Centre for Women’s Studies and Gender Research at Monash University.

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Kamis, 25 Desember 2014

~ Free PDF Handbook of Critical Race Theory in EducationFrom Routledge

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This handbook illustrates how education scholars employ Critical Race Theory (CRT) as a framework to bring attention to issues of race and racism in education. It is the first authoritative reference work to provide a truly comprehensive description and analysis of the topic, from the defining conceptual principles of CRT in the Law that gave shape to its radical underpinnings to the political and social implications of the field today. It is divided into three sections, covering innovations in educational research, policy and practice in both schools and in higher education, and the increasing interdisciplinary nature of critical race research. With 28 newly commissioned pieces written by the most renowned scholars in the field, this handbook provides the definitive statement on the state of critical race theory in education and on its possibilities for the future.

Sales Rank: #512356 in Books
Published on: 2013-03-29
Original language: English
Number of items: 1
Dimensions: 9.75" h x 7.00" w x 1.00" l, 1.72 pounds
Binding: Paperback
384 pages

Review
"Many in the field of education, especially those interested in critical race theory in education, have been eagerly awaiting a reader or handbook that compiles significant contributions to research and theory in CRT in education. The Handbook of Critical Race Theory in Education, edited by Lynn and Dixson, appears to have answered the call of many budding and veteran scholars interested in centering race and racial inequality in conversations on education reform." ― Venus Evans-Winters, Teachers College Record

About the Author

Marvin Lynn is Dean of the School of Education at Indiana University, South Bend, USA.

Adrienne D. Dixson is an Associate Professor of Critical Race Theory and Education in the Department of Education Policy, Organization & Leadership at the University of Illinois at Urbana-Champaign.

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1 of 1 people found the following review helpful.
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> PDF Ebook Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to the Tempest, by Janet Adelman

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An original reading of Shakespeare's plays illuminating his negotiations with mothers, present and absent, and tracing the genesis of Shakespearean tragedy and romance to a psychologized version of the Fall.

Sales Rank: #1473894 in Books
Published on: 1991-12-08
Released on: 1992-04-02
Original language: English
Number of items: 1
Dimensions: 9.02" h x .89" w x 5.98" l, 1.15 pounds
Binding: Paperback
392 pages

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13 of 29 people found the following review helpful.
Chalk up one more take on the Bard
By Matt Hetling
This book offers up an in-depth scholarly analysis of all of the mother figures in Shakespeare's early works-both those who appear in the play and those whose absence gives us cause to pause.

Ademan points out, and makes much hay of the fact, that Shakespeare began writing his great tragedies simultaneously with the introduction of the first fully imagined mother- character.

Personally, I find it difficult to make the intuitive leaps that Adelman has made in drawing conslusions about Shakespeare's "troubled meditation on infantile helplessness." I find that Shakespeare's work is just so amazingly complex, and the body of work is so large, that an enterprising scholar can read just about anything into it.

People have written extensively on Shakespeare and how he anticipated Freud's theories, feminism, major issues within catholicism, even communism and capitalism. It's hard for me to become overly sympathetic with any of these views, and Adelman's book, while well-written (if a bit abstruse), is no exception.

Shakespeare has written about life, grounding it in realism and also elevating it to an entity of great meaning. Anyone who so finely articulates the human condition can and will be open to a variety of specialized interpretations, as well as the opposite interpretations.

I think that books like this one are valuable, in that they identify a viewpoint that can be expressed and studied within the context of Shakespeare's work. But the final word on Shakespeare has to be much broader in scope, and I would urge all but the most serious scholars to beware the tunnel vision that this type of undertaking can inadvertently create.

Did Shakespeare have strong views on motherhood, and can we extrapolate to speculate on his own relationship with his mother? Perhaps. But we won't ever really know for sure, and that might be a good thing.

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Selasa, 23 Desember 2014

# Download Ebook Magic, Science, and Empire in Postcolonial Literature: The Alchemical Literary Imagination (Routledge Interdisciplinary Perspectives on Lit

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This book examines the ways in which contemporary British and British postcolonial writers in the after-empire era draw connections between magic (defined here as Renaissance Hermetic philosophy) and science. Writers such as Tom Stoppard, Zadie Smith, and Margaret Atwood critique both imperial science, or science used in service to empire, and what Renk calls "imperical science," a distortion of rational science which denies that reality is holistic and claims that nature can and should be conquered. In warning of the dangers of imperical science, these writers restore the connection between magic and science as they examine major shifts in scientific thinking across the centuries. They reflect on the Copernican Revolution and the historic split between magic and science, scrutinize Darwinism, consider the relationship between Victorian science and pseudo-science, analyze twentieth-century Uncertainty theories, reject bio/genetic engineering, call for a new approach to science that reconnects science and art, and ultimately endeavor to bring an end to the imperial age. Overall, these writers forge a new discourse that merges science with the arts and emphasizes a holistic philosophy, a view shared by both Hermetic philosophy and recent scientific theories, such as chaos or complexity theory. Along with recent books that focus on the relationship between contemporary literature and science, this work focuses on contemporary British literature’s critique of science and the ways in which postcolonial literature addresses the relationship between magic, science, and empire.

Sales Rank: #10676002 in Books
Published on: 2011-10-17
Original language: English
Number of items: 1
Dimensions: 9.00" h x 6.25" w x .50" l, .90 pounds
Binding: Hardcover
184 pages

About the Author

Kathleen Renk is an Associate Professor of English at Northern Illinois University. The author of Caribbean Shadows and Victorian Ghosts: Women's Writing and Decolonization (Virginia, 1999) and critical essays on the work of A.S. Byatt, Wilson Harris, Peter Carey, and Pauline Melville, she teaches British modernist and postcolonial literatures.

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Kamis, 18 Desember 2014

## Download PDF The Life stories of undistinguished Americans, as told by themselves, by Hamilton Holt

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Sales Rank: #4952053 in Books
Published on: 1990
Number of items: 1
Binding: Paperback
228 pages

From Publishers Weekly
Journalist Holt (1872-1951) invented a term for the brief turn-of-the-century oral histories in this volume: "lifelets." Originally published in his progressive magazine, The Independent , and first collected in book form in 1906, the 20 profiles range from that of a Swedish farmer who prospers in Minnesota and notes that "one thing I like about this country is that you do not have to be always taking off your hat to people," to that of an embittered woman who finds that "everything is forgiven in the South but color." The so-called undistinguished Americans generally speak in their own words; at times their writing is rough-hewn, even mundane, but informed with the rousing emotions of immigrants trying to succeed in a new land, of native-born Americans struggling against the prejudices of their fellow countrymen. The book recreates a bygone era by serving up the stuff of day-to-day life: a detailed weekly budget of $3.92 for two young girls; the humiliation of a Japanese who can't peel potatoes fast enough to please a cook; the whipping of a Hungarian who has been coerced into laboring at an oppressive lumber camp.
Copyright 1990 Reed Business Information, Inc.

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Rabu, 17 Desember 2014

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First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Sales Rank: #2586512 in Books
Published on: 1994-12-10
Original language: English
Number of items: 1
Dimensions: 9.02" h x .50" w x 5.98" l, .83 pounds
Binding: Paperback
224 pages

From Library Journal
Cosmetic surgery is a growth industry. Despite the expense and the risks of infection and unsatisfactory outcome, many women still choose to have their bodies altered. Davis, a professor of women's studies in the Netherlands, interviewed physicians, surgeons, and women before and after their operations to learn about their involvement in cosmetic surgery. She discovered that most of the women wanted to correct perceived defects so that they would appear ordinary and that they did this to please themselves, not men. Although she is a feminist, Davis argues against the traditional, politically correct stance that cosmetic surgery is oppression (found in works like Naomi Wolf's The Beauty Myth, LJ 4/1/91) and states that deciding to undergo a procedure is in fact an act of empowerment that improves the lives of these women. She considers cosmetic surgery a complex dilemma rather than an absolute evil. Not an essential purchase, but women's studies collections will want to add it for balance.
Barbara M. Bibel, Oakland P.L., Cal.
Copyright 1994 Reed Business Information, Inc.

From Booklist
Medical sociologist Davis tries to codify the complex decision-making process women undergo when deciding whether to alter their appearance surgically and to reconcile how a feminist could choose to alter her body to fit the "gendered social order" and remain a feminist. So striving, she studies women in the Netherlands (one of the few nations in which cosmetic surgery is a publicly insured medical procedure) who are considering or have already been through cosmetic surgery. Against this backdrop of real cases she pits feminist theory, especially concerning beauty, and comes up with two diametrically opposed points of view. Davis herself takes a position somewhere between the extremes and consequently becomes rather an outcast from the feminist social theory community. Although she never resolves the dilemma posed by the extreme positions acceptably, she brings to the surface complicated issues of female identity, beauty, social acceptability, "normality," and self-esteem; as she does, she offers new perspectives on some rather tiresome feminist debates. Mary Ellen Sullivan

Review
"well-written analysis...powerful...fascinating...will intrigue medical sociologists and feminists alike.." -- European Journal of Women's Studies

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Selasa, 16 Desember 2014

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The Contemporary Relational Supervisor is an empirically based, academically sophisticated, and learner-friendly book on the cutting edge of couple and family therapy supervision. Appropriate for master’s and doctoral level students, as well as experienced clinicians who wish to learn about supervision, it emphasizes system and relational thinking and intervention, while privileging the diversity of training system members, their realities, experiences, and interpretations of life.
The authors are attuned throughout the text to how and where clinical training and services are provided, and to whom, and provide detailed literature reviews for readers. These factors assist their discussion of the socio-historic development of the AAMFT supervision designation, and the fundamentals, contexts, philosophy, relationships, and pragmatics of CFT supervision. They also discuss major models and approaches, evaluation, ethical and legal issues, and therapist development. Perhaps most important is their presentation of methods that help tailor and extend supervision practices to meet the clinical, institutional, and economic realities that CF therapists navigate.
Readers are engaged by the discussions and exercises at the end of each chapter, which help them to feel more grounded in a topic, to have their own voices heard, and to be granted insight through experiencing multiple realities. This valuable reference prepares the next wave of cutting-edge CFT supervisors–those who are knowledgeable, skilled, and realistically confident.

Sales Rank: #4144477 in Books
Published on: 2013-07-08
Original language: English
Number of items: 1
Dimensions: 9.10" h x .80" w x 6.20" l, 1.05 pounds
Binding: Hardcover
248 pages

Review

“Robert Lee and Thorana Nelson are the go-to people I trust to tell me about relational supervision... [They] did not disappoint me with this book, in which they provide a soup-to-nuts overview of contemporary relational supervision…. As I read this book, I took two sets of notes. One was to help me write this foreword. The more extensive set, though, was on how I might use the content of the book to structure a supervision course of my own….The authors made my job easy.” - From the Foreword, Fred P. Piercy, PhD

“At last, the field of relational therapy has a wonderful authored text about supervision. Everyone agrees that supervision is essential but there are very few good guides as to this territory. Robert E. Lee and Thorana Nelson present a comprehensive vision of supervision in which they examine such essential topics as the key aspects of supervisory relationships, contracts, core competencies, formats, and approaches to supervision. Considerations of supervision in evidence-based models and of the cultural context for supervision are especially timely. This book should be a core text for AAMFT approved MFT programs and other programs that have a relational focus as well as a resource for every supervisor and supervisee.” - Jay Lebow, PhD, Clinical Professor, The Family Institute at Northwestern and Northwestern University

“Wondering if you should purchase this book? Review the table of contents and then try not to! Rooted in the supervision literature and brought to life by authors who each have decades of experience, this practical, well-written book will advance the skill level of any clinical supervisor.” - Bruce Kuehl, PhD, Director, Marriage and Family Therapy Program, University of Wisconsin-Stout; Supervisor; Author of the Pioneers of Family Therapy publications for the AAMFT

“Lee and Nelson have done a real service to the profession. They provide supervisors of all experience levels a practical, comprehensive overview of the state of the art of systemic psychotherapy supervision.” - Wayne Perry, DMin, PhD, AAMFT Approved Supervisor, Clinical Programs Director, Amridge University

“The Contemporary Relational Supervisor makes a long-awaited contribution to the field of couple and family supervision. No matter where you are on your supervisory journey, you will find the current information and practical application exercises you need to figure out and implement your unique approach to relational, systemic supervision.” - Dale G. Blumen, MS, LMFT, AAMFT Approved Supervisor; Supervision Course Instructor

“While the literature on the supervision of couple and family therapy remains modest, it has expanded rapidly in the last decade to the point where supervisors are challenged to stay abreast of it. It is refreshing, therefore, for a book like The Contemporary Relational Supervisor to become available to supervisors because this book captures the primary ingredients of supervision under one cover and offers the integrated perspective of two highly experienced and knowledgeable authors. The book is comprehensive and meticulously referenced and thus serves both as a reference book and a guide to supervisory practice.” - Douglas C. Breunlin, MSMFT Program Director and Clinical Professor, The Family Institute at Northwestern University; Co-Editor, The Handbook of Family Therapy and Supervision

"Lee and Nelson have written a text that has just about everything you could want, and more, from a book about supervision. I say that purposefully―it is a book about supervision, not a book that teaches you how to supervise. The authors are clear in their purpose for the book, “… we do not attempt to teach people how to supervise; rather we seek to present multiple ideas about approaches to supervision so that learners can identify, clarify, and articulate their own perspectives and positions” (Lee & Nelson, 2013, pp. 83). While the authors state that they did not write the book to teach people how to supervise, it is clear that this book should be considered a core text for any couple and family therapy (CFT) supervision course." - Christopher K. Belous, PhD, LMFT, Mercer University Atlanta, Journal of Marital and Family Therapy

About the Author

Robert E. Lee, PhD, Professor Emeritus, Florida State University.

Thorana S. Nelson, PhD, Professor Emerita (semi-retired), Utah State University.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A very useful resource for Couple and Family therapists
By Annie C.
This paperback provides words, phrases, sentences, and paragraphs that assist with communications between clients, trainers, and supervisors. This clarification has been needed. It will be quite useful as a resource reader for those interested in becoming better acquainted with the terminology used in couple and family therapy.

0 of 0 people found the following review helpful.
Great!
By Lindsay Owens
This is a helpful resource for young supervisors hoping to learn some skills. This book was easy to read and well written.

0 of 0 people found the following review helpful.
Five Stars
By Kristen Mamft
Great text. Very well written and full of helpful references.

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Senin, 15 Desember 2014

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Although contemporary art may sometimes shock us, more alarming are recent attempts to regulate its display. Drawing upon extensive interviews, a broad sampling of media accounts, legal documents and his own observations of important events, sociologist Steven Dubin surveys the recent trend in censorship of the visual arts, photography and film, as well as artistic upstarts such as video and performance art. He examines the dual meaning of arresting images--both the nature of art work which disarms its viewers and the social reaction to it. Arresting Images examines the battles which erupt when artists address such controversial issues as racial polarization, AIDS, gay-bashing and sexual inequality in their work.

Sales Rank: #1206032 in Books
Published on: 1994-04-30
Original language: English
Number of items: 1
Dimensions: 9.25" h x 6.25" w x 1.00" l, 1.49 pounds
Binding: Paperback
402 pages

Review
. . . Dubin has impressively documented a decade's developments, until now chronicled mostly in bits and pieces. His facts are well researched and marshaled; he writes with a sense of historical background, and he has all the players knowledgeably pegged. His account, for instance, of the feckless John Frohnmayer, the embattled former chairman of the National Endowment for the Arts, trapped in the pressure cooker that the job has become, is masterly. And as a map of the minefields that beset artists who would venture beyond the boundaries of conventional taste, this book is important. -- New York Times Book Review
Dubin's new book . . . is a highly readable, scholarly and compelling case against limiting expression. -- New City Times
[Dubin] recaps the furor raised by such well-publicized works as David K. Nelson's inflammatory portrait of late Chicago mayor Harold Washington in women's underwear, Robert Mapplethorpe's homoerotic photographs, and Andres Serrano's `blasphemous' Piss Christ. . . . Accessible and paced with page-turning immediacy--an excellent overview of what happens when the avant-garde art world meets the conservative right. -- Kirkus Reviews
. . . Arresting Images provides a fresh look at the social, political and psychological forces influencing the American art world today. Recommended. -- Library Journal
A thoughtful, comprehensive survey of our ongoing culture wars. Dubin interweaves lively narrative of bitterly fought censorship battles with provocative exploration of the social and psychological forces at work. -- Marjorie Heins, Director and Staff Counsel, Arts Censorship Project, American Civil Liberties Union Foundation
With exemplary clarity and insight, Steven Dubin assesses the growing maelstrom over `correct' art, censored art, and contentious art. Essential reading for anyone interested in these debates and controversies, and an important contribution to the sociology of the arts. -- Judith R. Blau, The University of North Carolina at Chapel Hill
It is very good to have this thoughtful sociological approach to balance the mass of books by critics and philosophers. -- Choice
Arresting Images is at once a timely inventory of the social resonance of art and an illumination of the forces that seek to limit the range of expression in the putative heartland of democracy. With its crisp prose and enormous scope, Dubin's book will prove an effective resource in support of informed public discussion over the direction of art and society. -- Randy Martin, Pratt Institute
Steven Dubin's book should be read by everyone and anyone who follows the weft and warp of the political weave as it winds through the nasty carnival of late twentieth-century America. -- Chicago Artists' News
Dubin's detailed and finely nuanced study is vital to an understanding of why certain artworks have becomeso controversial in recent years . . . this is a major contribution to the burgeoning field of cultural studies, by one of the sharpest observers of the current scene. -- Judith H. Balfe, City University of New York Graduate Center
Arresting Images places recent art controversies in their social setting. In Dubin's work, we see artists speaking out or questioning their world through their images, while politicians and other groups seek to protect their version of what is respectable. -- Free Expression, A Quarterly for the American Booksellers Foundation for Free Expression
...the kind of analysis we've needed for some time, namely a macro-level examination of recent art-political troubles that would help us understand the disparate events of the period as a whole. -- Mitchell Stevens, Art in America
A comprehensive critical account of censorship and political alliance. -- High Performance
Dubin has evolved into one of the country's most eloquent and forceful advocates of open expression. -- New City Times
Drawing upon extensive interviews, a broad sampling of media accounts, legal documents and his own observations of important events, Steven Dubin surveys the censorship issues surrounding visual art, pornography and film, as well as artistic upstarts such as video and performance art. He examines both the nature of the art work which disarms its viewers and the social reaction to it. Combining the eye of an aesthete and the rigor of a social scientist, Dubin offers provocative insights into contemporary society and politics. -- Canadian Journal of Communication, V20, 1995

About the Author
Steven C. Dubin is Associate Professor of Sociology at the State University of New York, Purchase, where he directs the Social Sciences and the Arts program. He is the author of Bureaucratizing the Muse: Public Funds and the Cultural Worker.

Most helpful customer reviews

0 of 0 people found the following review helpful.
An enlightening course in understanding
By M.E.R.
Dubin presents controversy between the art world and the political and religious realms in a way that is objective and enlightening. A few of these readings, mainly the chapters on Andres Serrano and Robert Mapplethorpe, were assigned in a "Contemporary Art in America since 1945" Art History class I took last year. I found this information incredible and I believe it has a poignant place in our history. The discussions that these works generated are amazing and says a great deal about the status of art in our society and the politics unavoidably surrounding it in American contemporary culture.

2 of 5 people found the following review helpful.
Tedious in places, but rewarding overall.
By A Customer
How did so many "shocking" photographers and performance artists become wildly famous (albeit, underpaid) towards the end of the Reagan era? By pissing off religious and polical leaders, that's how! Tedious in places, but rewarding overall.

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Minggu, 14 Desember 2014

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First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.

Sales Rank: #964802 in Books
Published on: 1991-03-13
Released on: 1994-06-10
Original language: English
Number of items: 1
Dimensions: 8.50" h x .54" w x 5.50" l, .67 pounds
Binding: Paperback
232 pages

Most helpful customer reviews

29 of 31 people found the following review helpful.
Liberatory Education
By A Customer
In "Getting Smart", Patti Lather focuses on critical social science, liberatory education and how post-modernisms, neo-Marxisms and various feminisms make overt the ways in which power permeates the construction and legitimization of knowledge. Lather locates spaces for theorizing emancipatory practice necessitating a re-examination of those sites problematized by the postmodern, including subjectivity, agency, the production of knowledge and praxis. Lather creates a "multi-voiced" text weaving meanings that are more evocative than descriptive. She offers an example of her own research into women's studies students' resistance and demonstrates how meaning is constructed within different discourses of inquiry. She writes against the "authoritative voices" of foundational academic discourse while being aware that she is complicit in that which she critiques. Lather emphasizes that regardless of philosophical debates, the question is "What is to be done?". As a way to salvage emancipatory discourse and praxis she speaks in a "willful contradiction" of "theoretic fictions" (cultural Marxism and postmodernism) remaining committed to the open-endedness of the struggle over truth and reality. She refuses to accept the totality of the "radical negation of Enlightenment" and describes her refusal as a strategy of displacement which she grounds in her use of deconstructive theory.
As Lather traces her way through the contradictory discourses of feminism, neo-Marxism and poststructuralism she identifies the hallmark of a liberatory praxis as the ability to act "within an uncertain framework" at a time "marked by the dissolution of authoritative foundations of knowledge". She suggests that above all, emancipatory action requires reflexivity and the ability to attend to the politics of what we do. She recommends a "Foucauldian awareness" of the oppressive role of ostensibly liberatory forms of discourse."
Lather looks to pedagogy as a site for learning about strategies for a "postmodern praxis". She uses Lusted's definition of pedagogy that concludes that knowledge is produced at the intersection of three agencies, the teacher, the learner and the knowledge they produce. She concludes that it has been the practice of "transmissive" rather than "interactively productive" pedagogy that has been the "root of the failure of emancipatory objectives".
I applaud Patti Lather's project as a feminist, a critical theorist and as someone who appreciates the postmodern turn to a consideration of reality as constructed rather than found. As a teacher, a researcher and an activist, Patti Lather has created a dense, rich text that expands our understanding of what and how we can know and how emancipatory practice might be conducted.

1 of 2 people found the following review helpful.
Bad title, great book!
By Liza Kessler
This is an outstanding book for understanding postmodern and feminist critical theory, in particular for the developing researcher. I am completing my PhD coursework, and anticipate this being one of the major texts I use as I develop the research methods section of my PhD proposal, and conduct both my PhD research and future academic research projects.

5 of 39 people found the following review helpful.
Obscurity 101
By Jose R. Vazquez
Another one of those feminist and postmodernist professors is trying to infuse in her readership her bland ideas.
By using abstract language, Ms. Lather goes on to convert readers into her feminist ideas. Only radical feminists and gender-concerned individuals would enjoy this work.

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Sabtu, 13 Desember 2014

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In "Enjoy Your Symptom!" Slavoj Zizek argues for the accessibility and ultimate simplicity of Lacanian theory by linking it with popular Hollywood film. "Enjoy Your Symptom!" is divided into five chapters, each elucidating some fundamental Lacanian notion or theoretical complex - "letter, fantasy, woman, repetition, phallus, father" - through a reference to Hollywood and the popular culture which forms the background of our common experience. Each chapter is then divided into two parts. In the first part, Lacan is "in Hollywood," ie the notion or complex in question is explained by way of examples from Hollywood or popular culture in general. In the second division, we are "out of Hollywood", ie the same notion is elaborated as it is in its inherent context. The "Why ..." in the title of each chapter purposely evokes the naivete of a child's question. Pick up this book and learn why a "letter" always arrives at its destination with the help of "City Lights", "Now Voyager" and "Letter from an Unknown Woman"; learn why fantasy is the ultimate support of reality with the help of "Rancho", "Notorious", "She" and "Tarzan"; learn why woman is a symptom of man with the help of Roberto Ross.

Sales Rank: #2294876 in Books
Published on: 1992-08-14
Original language: English
Number of items: 1
Dimensions: 9.00" h x 6.00" w x .50" l,
Binding: Paperback
256 pages

About the Author
Slavoj Zizek is Research Fellow at the University of Ljubljana. He teaches and lectures frequently in the United States. Among his many books are Looking Awry and The Ticklish Subject.

Most helpful customer reviews

29 of 36 people found the following review helpful.
very clear stuff
By A Customer
If you know anything about Hegel and Lacan, Zizek is actually a quite clear expositor of Lacan. Looking awry is particularly clear, lucid to the point of simplification in his account of Lacan, but what can you expect when your proof-test is Hitchcock and HOllywood movies. Most academic books consist of (dead author) and (contemporary theorist), and if the text at hand simply serves to validate the theory, why drag out heavy reading when Hitchcock will do? If the theory is correct, it encompasses both Shakespeare and anything oj simpson ever appeared in, so not to use both would only be a sign of stuffiness. Zizek has the virtue of being easy to read and not taking himself too seriously, and begins every chapter with a quote from Lenin or Stalin, as if Stalin was the last philosopher. It's not a parody, but if Kojeve (Lacan) is right, that every philosophy is just a repetition of one moment of the Hegelian spirit, then Zizek's jeu d'esprit is an honest accomodation to what's happening now.

0 of 0 people found the following review helpful.
Five Stars
By james zan cronan
well written, entertaining

12 of 75 people found the following review helpful.
Lacanian theory and the movies
By Eileen G.
This book is impossible, complicated, and confusing. Good luck to anyone who tries to figure it out. Zizek careens through film history, haphazardly - and sometimes carefully - appropriating examples in order to make various 'post-modern' and Lacanian points. It almost seems like parody, but ... it's not.

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