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This is the first major collection of criticism on Black American cinema. From the pioneering work of Oscar Micheaux and Wallace Thurman to the Hollywood success of Spike Lee, Black American filmmakers have played a remarkable role in the development of the American film, both independent and mainstream.
In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider what a Black film tradition might be, the relation between Black American filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of a Black imaginary. Black American Cinema also uncovers the construction of Black sexuality on screen, the role of Black women in independent cinema, and the specific question of Black female spectatorship. A lively and provocative group of essays debate the place and significance of Spike Lee
Of crucial importance are the ways in which the essays analyze those Black directors who worked for Hollywood and whose films are simplistically dismissed as sell-outs, to the Hollywood "master narrative," as well as those "crossover" filmmakers whose achievements entail a surreptitious infiltration of the studios. Black American Cinema demonstrates the wealth of the Black contribution to American film and the complex course that contribution has taken.
Contributors: Houston Baker, Jr., Toni Cade Bambara, Amiri Baraka, Jacquie Bobo, Richard Dyer, Jane Gaines, Henry Louis Gates, Jr., Ron Green, Ed Guerrero, bell hooks, Phyllis Klotman, Ntongele Masilela, Clyde Taylor, and Michele Wallace.
- Sales Rank: #260920 in Books
- Published on: 1993-08-20
- Released on: 1993-11-11
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .76" w x 6.00" l, 1.21 pounds
- Binding: Paperback
- 336 pages
Review
"Manthia Diawara's "Black American Cinema shows how refreshingly far away from decorous consensus the field of Black cinema study is today, in a varied and provocative montage of opinions, personal histories, position statements, and historical criticism."
-"Journal of Communication, Summer 1995
..."essays in "Black American Cinema make the book a worthy addition to the small shelf of Black cinema criticism."
-"Journal of Communication, Summer 1995
From the Back Cover
In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider such topics as what a Black film tradition might be, the relation between Black American Filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of Black imaginary.
About the Author
Manthia Diawara is Professor of English at the University of Pennsylvania.
Most helpful customer reviews
2 of 3 people found the following review helpful.
A good anthology on Black Film
By A Customer
From the early pioneers of Black Film like Oscar Micheaux in the 1930's to the present day era of filmmakers including Spike Lee, this book adequately covers it all, with a fair amount of time devoted on independent cinema. Interesting read. Especially useful for the academic world.
0 of 0 people found the following review helpful.
History of Cinema
By cexy arevalo
This is a very informative book on the history of cinema. I highly recommend to all students who are interested in being film makers, tv producers, etc...
0 of 0 people found the following review helpful.
Five Stars
By Katie Ford
A book I needed for school. Thank you.
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