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Signatures of the Visible, by Fredric Jameson
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"The visual is essentially pornographic," writes Fredric Jameson, "films ask us to stare at the world as though it were a naked body." In Signatures of the Visible, one of America's most influential critics explores film and the culture surrounding it, interrogating the relationship between the imaginative screen world and the historical world onto which it is projected. By seeking the historical dimension of the visual, Jameson evaluates the power of the filmic form as a vehicle for the critique of culture and the diagnosis of social life. Jameson pursues this investigation through readings of politics, class, allegory, magic realism, and "the historical" in such films as Diva, The Shining, and Dog Day Afternoon. Throughout the book, he is concerned with the relationship between the achievements and limits of contemporary film theory itself, "a relationship," he argues, "which allows one to take the temperature of history itself."
- Sales Rank: #960665 in Books
- Published on: 1992-08-14
- Released on: 1993-03-04
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .60" w x 6.00" l, .94 pounds
- Binding: Paperback
- 264 pages
Review
"... [combines] the highest dialectical versatility with an almost adolescent sheer pleasure of devouring the classics of popular cinema." -- Slavoj Zizek
"...Jameson's work compares to the best of the major league of cultural theorists...and other scholars of interdisciplinary standing." -- Semiotica
"With the possible exception of Stuart Hall, Fredric Jameson is the most important Marxist critic of the Anglophone world." -- Choice
About the Author
Fredric Jameson is Director of the Graduate Program in Literature at Duke University.
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