Ebook The Aesthetics of Antifascist Film: Radical Projection (Routledge Advances in Film Studies), by Jennifer Lynde Barker
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The Aesthetics of Antifascist Film: Radical Projection (Routledge Advances in Film Studies), by Jennifer Lynde Barker
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Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others, The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII, Cold War and Post-Wall historical periods.
Emerging during a critical moment in film history―1930s/1940s Hollywood― cinematic antifascism was representative of the international nature of antifascist alliances, with the amalgam of film styles generated in émigré Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity, purity and spectacle, these antifascist films project a radical beauty of distortion, heterogeneity, fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism, the filmmakers were able to manifest a non-totalizing work of art that still had political impact.
Drawing on insights from film and cultural studies, aesthetic and ethical philosophy, and socio-political theory, this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive, radical aesthetic form that represents an alternate strand of post-modernism.
- Sales Rank: #5027849 in Books
- Brand: Brand: Routledge
- Published on: 2012-10-16
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.25" w x .75" l, 1.19 pounds
- Binding: Hardcover
- 302 pages
- Used Book in Good Condition
Review
"Barker's magisterial treatment of 70 years of international film history traces the power of cinematic art to resist the fascinations of fascism."
--Russell Berman, Stanford University
About the Author
Jennifer Lynde Barker is an Assistant Professor of English and Film Studies at Bellarmine University, USA.
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